Return from Havana

Omara Portuondo, Havana, Hotel Nacional, Cuba, Cuban jazz, Bossa Nova, jazz, Michael Ast, respect

photo credit Urszula Albolik

I went to Cuba for some grounding perspective on life. I lived with the locals through the cherished guidance of my friend Urszula and all her artistic Cuban friends that she’s made through the years. What I witnessed during the intimate stay in Havana is something I’m incapable of describing in words. The thriving character of Cuba is best embodied in their music, for certain. It’s an essential ingredient to the tenacious spirit and endurance in a country of very challenging hardships. A week in their great capital felt like a month for me. At times, I felt my own spirit nearly break, but Cuba allows no such surrender. The oppressive heat at this time of year, for one, is a significant challenge for foreigners visiting from their privileged worlds. In Cuba, you take nothing for granted, and celebrate the little you have through a meekness, which roars like happy thunder through dance and song everywhere, all the time.

To stumble upon the announcement of a rare performance by Cuba’s exemplary singer and national treasure Omara Portuondo was the greatest surprise of the week, among many surprises. Overwhelming gratitude and happiness to stand on stage with such a saint, a most beautiful, expressive human being, singer, performer and persevering personality, while leaning into her ear, “Gracias, eres bella.”