Oranbeg Press “What Will Suffice” Publication and Exhibition (Sept. 2018)

Excited to be in the mix of Oranbeg Press’ latest publication and online exhibition Net 2.8: What Will Suffice, juried/curated by photographer, writer & publisher Tim Carpenter. A big fan of Oranbeg Press’ consistent creative mark in the independent photography & publishing world, it’s an honor to have images chosen based upon the exhibition’s great prompt:

In one of his more well-known poems, “Of Modern Poetry,” Wallace Stevens describes:

“The poem of the mind in the act of finding
What will suffice.”

In pre-modern times, the artist could use the symbols of mythology or religion to provide readymade meaning. But now there is no given, nothing waiting around to be discovered.
The philosopher Simon Critchley writes: “The only light with which we might view objects had to be kindled by us, by our activity.”

Similarly, John Gossage says, “I find the things that I photograph, in the way that I photograph them, to be beautiful.” It’s the creative activity (the intelligence, the imagination) of the maker – not the subject matter – that makes a picture sufficient.

Oranbeg Press, independent photography, photo exhibition, NYABF 2018, Michael Ast, curated exhibition, contemporary photography, Tim Carpenter

The publication will be released at the upcoming NY Art Book Fair (9/21 – 9/23/2018)

View Exhibition/Publication HERE @ Oranbeg Press

Early Melancholy (Sitting on a Rock in the Schuykill)

Afternoon, feet and sandals submerged in the Schuykill. The temperature feels so good. A reckoning, refreshing. I didn’t walk barefoot enough this year. Reading Mary Oliver reconcile anxiety and night tremors, awaiting the morning redbird outside her window. Rum on my tongue. Orange anodized flask, wedged between rocks and river bottom. Revelry on the shore beneath the foot bridge. Betzwood. Somewhere, always, a dog is fetching a stick. Let that be consolation for borrow, anytime. A dog is jumping in the river here. Black and wet, happy as heck, his owners taking cell phone pics. Three Mexican girls are giggling and wading where the creek greets this old river. Water trickle. Mud odor after the heavy rains of last week. Mary speaks of a comforting colt, its warm body, and trillium. So beautiful. Summer afternoon. This Valley Forge. August winding down. Melancholy. Another sip of rum. The sun in and out of clouds. Happy I found this half sunken stone to sit upon. To sulk, a smile, inside out.

New Photo Etchings, 2018

Finally getting around to photographing recent hand-pulled photo etchings. This past Winter and Spring in the printmaking studio was a productive, perfectly inky time, producing numerous etchings and subsequent small editions. I spent those months making and pressing plates from my 2017 & 2018 Havana photographs, but also from travels in Portugal, and domestically along the California coast.

Some have already been upload to my etchings portfolio here: Etchings / Michael Ast

Sintra , chine-colle, chine-collé, Kitakata, printmaking, intaglio, photo etching, photopolymer, press, hand-pulled, analo, analog photography, Portugal, Moors, Moorish architecture, etching, in the studi, photographing artwork, Carbonnel, Charbonnel et walker, Japanese paper, deckled, glue, artist proof, Michael Ast

Sintra / Artist Proof (chine-collé glue test, on Kitakata) © Michael Ast, 2018

*** all prints are available for sale ***

Daniel Shea, 43 – 35 10th Street

Making room on the top shelf!

Daniel Shea’s 43 – 35 10th Street.

This is a massive brick of exciting imagery. Everything from the images, to the design, to the conflated shifts and changes of pairings, mood and materials is nothing shy of aesthetic celebration. Some artists just nail it everytime. Shea’s work is a courageous, elated blend of artistic license and stern visual gaze at our hand hewn social landscape. It’s hats off to the man-made, while at the same time conjuring up a layered lament. The journey we’re given and left bedazzled to decipher is entrenched in the mire and magnitude of Shea’s rapidly modernized neighborhood of Long Island City. Unlike so much urban-based work, we’re not abandoned, simply left stranded in some ironically delivered, witty claustrophobic mayhem. Instead, we bounce and swirl in the frenetic psychology of an artist hyped up on surface, texture, color, sound and tattered cacophony. This adventure dwells far outside the urbane at times, in the ethereal workings of the pliable mind. Somehow, Shea manages to calm the adrenaline and present it in such delicious form.

Published by Kodoji Press, 2018 (signed)

Daniel Shea, 43–35 10TH STREET, photobook, kodoji press

Daniel Shea, 43–35 10TH STREET, photobook, kodoji press

Daniel Shea, 43–35 10TH STREET, photobook, kodoji press

Daniel Shea, 43–35 10TH STREET, photobook, kodoji press

Daniel Shea, 43–35 10TH STREET, photobook, kodoji press

Daniel Shea, 43–35 10TH STREET, photobook, kodoji press

Daniel Shea, 43–35 10TH STREET, photobook, kodoji press

Daniel Shea, 43–35 10TH STREET, photobook, kodoji press, book signing

45th Birthday Commences

Ended the first day of my 45th year happily pulling this etching off the plate.

Edition of 5, on BFK Rieves, 115 gsm

Habana, Havana, Cuba, La Habana, scaffolding, photo etching, intaglio, printmaking, photogravure, bfk rieves, 115 gsm, print, etching, , printmaker, Charbonnel et Walker, Charbonnel, inked, pressed, hand-pulled, Michael Ast

Habana Vieja, 2018

Back in the Studio – Havana Photographs

Finally getting into the studio, to the production and possibilities of intention with my Havana photographs.

Imperfection is the perfection I’m after . . . .

Vedado, Havana, Michael Ast, photo etching, intaglio, artist proof, analog photography, Cuba, printmaking, bw photography, Hahnemuhle, charbonnel

Vedado / Havana (artist proof) © Michael Ast, 2018

Another Edit Commences . . . . Havana (January, 2018)

Another edit commences after my 2nd travel to Havana in 5 months. It’s been an enormous inspiration and education getting to intimately know Cuban people, building friendships, experiencing their music and seeping into their welcoming culture. The moments have been profound, invaluable examples of resourcefulness, courage, individualism, optimism – all attributes under the overarching principles of thriving, in a place of much hardship and poverty, separated a mere 90 miles from the richest mainland.

How rich is a country, where smiles are hard to find on the streets, in the homes, in the air? What’s being deposited in the bank? What’s been borrowed?

In Havana, I’m learning the human spirit cannot be defeated. I’m certain this journey and engagement has only just begun.

basketball, Havana, La Habana, Cuba, score, jump, leap, thriving, La Habana Vieja, game

Seawall, Havana, La Habana, Vedado, Malecon, Malecón, Cuba, Gulf of Mexico, wave crashing, wave, waves, spray, strong winds, weather, thriving

Photographs © Michael Ast, 2018

Interview/Feature: Dúplex Magazine (November, 2017 Issue)

Honored to be interviewed and featured in the November, 2017 issue of Dúplex magazine, a beautiful publication out of Valencia showcasing artists and designers in Spain and elsewhere.

Michael Ast, photography interview, Dúplex, Vlencia, Spain, La Imprenta, bw photographyy, black and white photography, B&W

Interview: Michael Ast, Dúplex Magazine (Nov. 2017)

Michael Ast, photography interview, Dúplex, Vlencia, Spain, La Imprenta, bw photographyy, black and white photography, B&W

Interview/Feature: Michael Ast, Duplex Magazine (Nov. 2017)

Michael Ast, photography interview, Dúplex, Vlencia, Spain, La Imprenta, bw photographyy, black and white photography, B&W

Dúplex Magazine (Nov. 2017)

Much thanks to Dúplex editor Paco Ballster and Armand Llàcer for the interview, whose print house LaImprenta published my book “a musing from the rocking dock”.

Upended, Dec. 5, 2017

I have been incredibly distracted by late Autumn’s treble of light, lost deep in the woods of mind and briar.
This gray day comes on and upends all discovery. I feel stunted and dumb, dragged out from the underbrush, bungled.

bungled, gray day, late autumn, tree carvings, woods, melancholy, upended, journal, prose

Green Lane, Nov. 2017

If You Have a Secret – Irina Popova

Irina Popova, If Ypu Have a Secret, photobook, Russian photographer, Dostoevsky Publishing

If You Have A Secret by Irina Popova © Dostoevsky Publishing, 2017

I don’t even know where to begin in spotlighting the brilliance that is Russian photographer and publisher Irina Popova (Ирина Попова). I can say this – the newly released, 2nd version publication of her ambitious body of work If You Have a Secret embodies all the courage and intellect of the young artist. I had the great pleasure of meeting and spending some time with her in Lisbon last year during the Lisbon Photobook Fair. Her active mind and doings are ever present. Where does such ambition come from at such an early age, with immense experience and execution of it already present in the foreground? If You Have a Secret exemplifies her intensity. Demonstrated again in this elaborately designed book, we see Irina in a league all her own, an absolute original, with not one trope, but her own brave, authentic gaze into the world, and her point-blank exposure of it. The book is both elaborate and intimate at the same time.

Printed in an edition of 400 English copies and 100 Russian copies, under her imprint Dostoevsky Publishing (August, 2017). If You Have a Secret arrived in my mailbox last weekend. A week already with it, I’m understanding there’s a life of secrets inside its covers. The design alone, incorporating double-folded pages and translucent broadsides, with “ghost text”, commands forensic-like investigation and uncovering. A major feat, this book!

[portfolio_slideshow id=5146]